dcseain: Cast shot of me playing my violin in role of minstrel in the Two Gentlemen of Verona (Default)
[personal profile] dcseain
Kenny Rogers' The Gambler came on the radio while i was on the way to work. Singing along with it took me back 16 years, to my many weekend visits to Cornell, where a lot of my friends went to school. Where I would stand in the stairwell of the North Campus student union and sing country and western standards while other danced. Happy times that. I don't get to sing enough nowadays.

Date: 2007-11-14 09:22 am (UTC)
From: [identity profile] dcseain.livejournal.com
Excellent point! I'd forgotten about Appalachie yodelling. Though Western yodel and country yodel do differ, if have overlap in TX/OK region. You won't get features like '...out in the West Texas wi-i-i-i-ind...' in country, that musical ornamation is a direct descendent of Westen Yodel. You'll find such features in Linda Ronstadt's work and in Mexican Mariachi and Folklorico works also, among others, which of course has a common root with Western. Blues/Appalacie yodel is more true yodel, but more of the Germanic tradition, or do you disagree?

Date: 2007-11-14 09:47 am (UTC)
From: [identity profile] acelightning.livejournal.com
It's unclear where the yodeling (http://en.wikipedia.org/wiki/Yodel) in both Appalachian and Western music came from. There were undoubtedly Germanic settlers in Appalachia... but Mexico was a German colony for a significant time ("¡Adiós, Mama Carlota!"). I suspect both American yodeling styles are ultimately Germanic in origin, but evolved along slightly different paths before converging again.

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dcseain: Cast shot of me playing my violin in role of minstrel in the Two Gentlemen of Verona (Default)
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